More than a few Americans are fed up with Hollywood and want no part of what the industry produces. For a while now, once-unifying entertainment awards shows have become minefields of woke declarations and Trump-bashing, which are perceived by many Americans who voted for the president as insults directed not just at him but also at them.
This has now thrown “First Man,” a major new movie about one of America’s greatest heroes, into the path of some hard cultural headwinds. Back in 1969, in the real world, Neil Armstrong and fellow astronaut Buzz Aldrin spent some 10 minutes raising the American flag on the lunar surface. But in the film version, the flag scene is nowhere to be found. When the question of why came up last month at the Venice Film Festival, Ryan Gosling, the actor who plays Armstrong in “First Man,” stumbled with his answer, explaining that the landing was a “human achievement” and that Armstrong didn’t view himself as an “American hero.”
The result was outrage, especially from many of the folks who’ve felt insulted by Hollywood’s recent history. Although I count myself among those who think Hollywood should stay out of politics, I think the folks railing against “First Man” are wrong.
The history here is instructive. Although the lunar flag-planting may seem like a given in hindsight, for months before the flight of Apollo 11 there was a debate within the federal government and in the press as to the wisdom of doing it. The argument for the flag was that the voyage was an entirely American effort that was paid for by American taxpayers, who deserved to see their flag planted in the lunar regolith. The argument against was that it could cast the landing in the eyes of the world as a nationalistic exercise, diminishing what was otherwise indisputably a triumph of American values and ideals, not to mention a demonstration of our technical superiority over our great adversary, the Soviet Union.
Ultimately, just a few months before the flight, Congress ordered NASA to put up the flag. The result, a rushed bit of engineering, was a set of spindly tubes holding a government-issued flag valued at around $5 and, since there was no room in the moon lander, flown clamped to a leg of the vehicle. Armstrong and Aldrin put up the flag and saluted it, then got on to other business.
As it turned out, people across the world didn’t much care. What they saw and celebrated were two fellow human beings walking on the surface of the moon. I watched Apollo 11 on a battered television set at Fort Lewis, Wash., along with other Army officers, most of us just recently returned from Vietnam. The picture was so fuzzy I don’t even recall the flag, only the ghostly images of Neil and Buzz moving about. We fresh Vietnam vets were just relieved that our boys on the moon were alive and well.
“First Man” the movie is based on an excellent book that has the same title, but also the subtitle “The Life of Neil A. Armstrong.” It is not the story of the moon-landing but of the world-famous astronaut himself. Author James R. Hansen worked hard to reveal a man who comes across in the book as a kind of techno-Atticus Finch — someone who never says outright what he believes but demonstrates it through his actions.
I suspect this vision of Armstrong affected the filmmakers. No one ever saw Armstrong do a fist-pump; he just didn’t do that kind of thing. Raising the flag on the moon might be perceived as that kind of gesture and therefore jar the flow of a film trying to uncover the inner workings of a man who spent a lifetime keeping his emotions in check. Although I personally would have included the flag-raising — it was a moment of rare lightheartedness between Neil and Buzz — I understand from experience the decisions that writers and directors sometimes make to fit their vision of their characters, even ones based on real people.
Because I’m interested in space history, and because I think “First Man” will be a unique and dramatic view of an important American who most of us never got to know very well, I will see this movie. If it’s anything like the book, I fully expect it to move me to even greater appreciation for my country, a nation that saw fit to attach to one of the moon lander legs not just its national flag but also this honest and humble declaration: “We Came In Peace for All Mankind.”
AMS client Homer Hickam’s OpEd in Washington Post – Sept 5
/in AMS Intel Page /by Allen Media StrategiesThe new Neil Armstrong movie is about more than the lunar flag-planting
September 5 at 6:00 PM
Homer Hickam is the author of the memoir “Rocket Boys,” which was made into the film “October Sky.”
More than a few Americans are fed up with Hollywood and want no part of what the industry produces. For a while now, once-unifying entertainment awards shows have become minefields of woke declarations and Trump-bashing, which are perceived by many Americans who voted for the president as insults directed not just at him but also at them.
This has now thrown “First Man,” a major new movie about one of America’s greatest heroes, into the path of some hard cultural headwinds. Back in 1969, in the real world, Neil Armstrong and fellow astronaut Buzz Aldrin spent some 10 minutes raising the American flag on the lunar surface. But in the film version, the flag scene is nowhere to be found. When the question of why came up last month at the Venice Film Festival, Ryan Gosling, the actor who plays Armstrong in “First Man,” stumbled with his answer, explaining that the landing was a “human achievement” and that Armstrong didn’t view himself as an “American hero.”
The result was outrage, especially from many of the folks who’ve felt insulted by Hollywood’s recent history. Although I count myself among those who think Hollywood should stay out of politics, I think the folks railing against “First Man” are wrong.
The history here is instructive. Although the lunar flag-planting may seem like a given in hindsight, for months before the flight of Apollo 11 there was a debate within the federal government and in the press as to the wisdom of doing it. The argument for the flag was that the voyage was an entirely American effort that was paid for by American taxpayers, who deserved to see their flag planted in the lunar regolith. The argument against was that it could cast the landing in the eyes of the world as a nationalistic exercise, diminishing what was otherwise indisputably a triumph of American values and ideals, not to mention a demonstration of our technical superiority over our great adversary, the Soviet Union.
Ultimately, just a few months before the flight, Congress ordered NASA to put up the flag. The result, a rushed bit of engineering, was a set of spindly tubes holding a government-issued flag valued at around $5 and, since there was no room in the moon lander, flown clamped to a leg of the vehicle. Armstrong and Aldrin put up the flag and saluted it, then got on to other business.
As it turned out, people across the world didn’t much care. What they saw and celebrated were two fellow human beings walking on the surface of the moon. I watched Apollo 11 on a battered television set at Fort Lewis, Wash., along with other Army officers, most of us just recently returned from Vietnam. The picture was so fuzzy I don’t even recall the flag, only the ghostly images of Neil and Buzz moving about. We fresh Vietnam vets were just relieved that our boys on the moon were alive and well.
“First Man” the movie is based on an excellent book that has the same title, but also the subtitle “The Life of Neil A. Armstrong.” It is not the story of the moon-landing but of the world-famous astronaut himself. Author James R. Hansen worked hard to reveal a man who comes across in the book as a kind of techno-Atticus Finch — someone who never says outright what he believes but demonstrates it through his actions.
I suspect this vision of Armstrong affected the filmmakers. No one ever saw Armstrong do a fist-pump; he just didn’t do that kind of thing. Raising the flag on the moon might be perceived as that kind of gesture and therefore jar the flow of a film trying to uncover the inner workings of a man who spent a lifetime keeping his emotions in check. Although I personally would have included the flag-raising — it was a moment of rare lightheartedness between Neil and Buzz — I understand from experience the decisions that writers and directors sometimes make to fit their vision of their characters, even ones based on real people.
Because I’m interested in space history, and because I think “First Man” will be a unique and dramatic view of an important American who most of us never got to know very well, I will see this movie. If it’s anything like the book, I fully expect it to move me to even greater appreciation for my country, a nation that saw fit to attach to one of the moon lander legs not just its national flag but also this honest and humble declaration: “We Came In Peace for All Mankind.”
AMS clients Jack Owens and Landau
/in AMS Intel Page /by Allen Media StrategiesAMS clients and Reality TV personalities Jack Owens (author, former FBI agent, CBS TV’s Big Brother) and Landau Eugene Murphy Jr. (recording artist and performer, new movie “Choices”, season six winner of NBC’s America’s Got Talent) after Landau’s show on Friday in Alabama.
Ambassador Akbar Ahmed on CGTN America’s The Heat – Pakistan’s 2018 Parliamentary elections
/in AMS Intel Page /by Allen Media StrategiesAllen Media Strategies – TOP pick for PR Agencies in Washington DC
/in AMS Intel Page /by Allen Media StrategiesTo make it to the list, PR firms were evaluated on more than 25 variables across five categories, the results were analyzed to release a hand-picked list of the best PR firms in Washington DC. Expertise’s proprietary research and selection process identifies the top service professionals in over 100 business categories across 1000 cities, covering 85% of the US.
Filtered and sifted from over 160 PR agencies in Washington DC and get featured as one of the TOP 18 in Washington DC is an achievement! Way to go Allen Media Strategies!
Read the complete article here https://www.expertise.com/dc/washington/public-relations-firms#provider2
Willy Wonka Jr Opens This Weekend Under The Stars At Theatre West Virginia!
/in AMS Intel Page /by Allen Media StrategiesDo you have your golden ticket for Theatre West Virginia’s production of Willy Wonka Jr? Follow the delicious adventures of likable young lad Charlie Bucket as he makes his way through Willy Wonka’s mysterious chocolate factory and runs into some very colorful Oompa Loompa’s along the way in this fantastical tale. The magical story unfolds on Theatre West Virginia’s stage at Cliffside Amphitheatre at Grandview in the New River Gorge National River near Beckley WV beginning this Thursday July 26th-29th and August 1st through August 4th at 7:30pm nightly.
Willy Wonka Jr. features the enchanting songs from the classic 1971 film starring Gene Wilder in addition to a host of fun new songs. The timeless story follows the enigmatic candy manufacturer as he stages an epic contest by hiding golden tickets in five of his scrumptious candy bars. Whomever comes up with the winning tickets gets a tour of Willy Wonka’s factory and a lifetime supply of Wonka candy. Four of the five winners are insufferable brats, but the fifth is a likable boy named Charlie Bucket who takes the tour along with his equally amiable grandfather. The children must learn to follow Willy Wonka’s rules in the factory-or suffer the candy coated consequences!
Willy Wonka Jr. is final production of Theatre West Virginia’s 2018 summer season. West Virginia’s leading professional outdoor theatre company opened this June with the world premiere of Paradise Park The Musical, a musical adaptation of the cult-classic film by Daniel Boyd with an all-new original score by Mountain Stage host Larry Groce. It was followed in July by the beloved annual production of Hatfields & McCoys about the legendary family feud that spanned decades and state lines. Next, Rocket Boys The Musical blasted off from the stage at Grandview for the fourth time since its premiere in 2011, telling the moving story of young Homer Hickam, his friends in the Big Creek Missle Agency, and their bid to leave the mines of Coalwood WV behind for bigger dreams and brighter stars.